Критика на пьесы Тома Стоппарда на русском языке:
Бартон Э. На прогулку еще раз // Иностранная литература. 1996. N3
Кувшинова М. Стоппард написал пьесу о русских революционерах // Известия. 2002. 6 августа. С. 3.
Кузнецова О. "Русская трилогия" британского мастера // Современная драматургия. 2004. №1. С. 176-185.
Фридштейн Ю. Открываем "спецхран": Пьесы Тома Стоппарда, которых мы не знаем //Диапазон. 1991. N 1. С. 33-37;
Фридштейн Ю. Парадоксы Тома Стоппарда. // Иностранная литература. 1990. N4.
Фридштейн Ю. Том Стоппард: от парадоксов – к исповедальности. // Современная драматургия, 1991. N3.
Халипов В.В. Миноритарный театр Тома Стоппарда. Мн., 2001. 123 с.
Шульпяков Г. От переводчика. // Новая юность. 1995. N1 (10).
Шовкопляс Г.Е. Сатирические тенденции английского политического театра 70-80-х гг. (автореферат). - М.: МГУ, 1992;
Шовкопляс Г.Е. Том Стоппард. Портрет на фоне новых исследований. // Современная художественная литература за рубежом. - М., 1990, июль-август.
Шихзаманова О. Тайна второстепенного персонажа // Театр. 1979. N 10. С. 117-123.
Критическая литература на английском языке:
Asmus, W., "Rosencrantz and Guildenstern are Dead", Shakespeare- Jahrbuch, 106 (1970) 118-31.
Ayer, A. J., "Love Among the Logical Positivists", The Sunday Times, 9 April 1974, 16.
Babula, W., "The Play-Life Metaphor in Shakespeare and Stoppar"', Modern Drama, 15 (1972) 279-81.
Barber, J., "Tom Stoppard at a Terminus", Daily Telegraph, 4 July 1977,
Beckwith D.B. "Critical Mass: A Director's Approach to Tom Stoppard1s "The Real Inspector Hound". - Reed College, 1976.
Berlin, N., "Rosencrantz and Guildenstern are Dead: Theatre of Criticis"', Modern Drama, 16 (1973) 269-77.
Bennett, J., "Philosophy and Mr Stoppard", Philosophy, 50 (1975) 5-18.
Bigsby C.W.E. Tom Stoppard. - Harlowe: "Longman Group", 1976.
Billman, C., "The Art of History in Tom Stoppard's Travesties", Kansas Quarterly, 12 (1980) 47-52.
Brassell, Т., "Jumpers: A Happy Marriage', Gambit, 10 (1981) 43-59.
Brassell, Т., Тот Stoppard: An Assessment (London: Macmillan, 1985).
Bratt D.L. "The Ironic Muse of Tom Stoppard". Ph.D. dissertation. - University of California, 1976.
Bryden R. "Theatre: Out of the World". // Observer. 1967. 16 April. P.24.
Buhr, R., "Epistemology and Ethics in Tom Stoppard's Professional Foul", Comparative Drama, 13 (1979) 320-29.
Cahn V.L. "Beyond Absurdity: The Plays of Tom Stoppard". Ph. D. dissertation. New-York University. 1976.
Cahn V.L. "Beoyond Absurdity: The Plays of Tom Stoppard". - Fairleigh Dickinson University Press. 1979.
Campbell, Thomas Harlan. Restaging the Gercen "Family Drama": Tom Stoppard's Shipwreck and the Discourse of English "Herzenism" . Russian Literature LXI (2007) I/II: 207-243.
Callen, A., "Stoppard's Godot: Some French-Influences on Post-War-English Drama", New Theatre Magazine, 10 (1969) 22-30.
Cooke, J., The Optical Allusion: Repetition and Form in Stoppard's Trav¬esties', Modern Drama, 24 (1981) 523-39.
Corballis, R., Tom Stoppard: The Mystery and the Clockwork (London: Methuen, 1984). State University. 1980.
Corballis, R. "Extending the Audience: The Structure of Rosencrantz and Guildenstern are Dead", Ariel, 11 (1980) 65-79.
Crick, В., "Travesties", The Times Higher Educational Supplement, 2 August 1974, 13.
Crossley, В., "An Investigation of Stoppard's "Hound" and "Foot", Modern Drama, 20 (1977) 77-86.
Crump, G., The Universe as Murder Mystery: Tom Stoppard's Jumpers', Comparative Drama, 20 (1979) 354-68.
Davidson, M., "Historical Homonyms: A New Way of Naming in Jumpers", Modern Drama, 22 (1979) 305-13.
Dean, J., Tom Stoppard: Comedy as a Moral Matrix (Columbia: University of Missouri Press, 1981).
Delaney, P., "The Flesh and the Word in Jumpers", Modern Language Quarterly, 42 (1981) 369-88.
Dobrin, D., "Stoppard's Travesties", Explicator, 40 (1981) 63-4.
Duncan, J., "Godot Comes: Rosencrantz and Guildenstern are Dead", Ariel, 12 (1981) 57-70.
Egan, R., "A Thin Beam of Light: The Purpose of Playing in Rosencrantz and Guildenstern are Dead", Educational Theatre Journal, 31 (1979) 59-69.
Elam, K., "After Magritte, after Carroll, after Wittgenstein: What Tom Stoppard's Tortoise Taught Us", Modern Drama, 27 (1984) 469-85.
Ellmann, R., "The Zealots of Zurich", The Times Literary Supplement, 12 July 1974, 744.
Faraon C.F. "An Analysis of Tom Stoppard's Plays and Their Productions (1964-1975)". Ph. D. dissertation. Florida State* University. 1980.
Gabbard, L., "Jumpers: A Murder Mystery", Modern Drama, 20 (1977) 87-95.
Gordon M. Stoppard, Tom. // Microsoft Encnrta 96. - Ьоя Anqolea: "Microsoft Corpora-Lion", 1996.
Greiner P. The Plays of Tom Stoppard: Recognition, Exploration, and Retreat. Ph. D. dissertation. - Ohio
Gottfrird M. Rozencrantz and Guildenstern Are Dead. // Women's Wear Daily. 1967. 17 October;
Greiner P. The Plays of Tom Stoppard: Recognition, Exploration, and Retreat. Ph. D. dissertation. Ohio State University. 1980.
Gitzen, J., Tom Stoppard: Chaos in Perspective, Southern Humanities Review, 10 (1976) 143-52.
Halton K. Tom Stoppard. // Vogue. 1967. 15 October.
Hayman, R., Tom Stoppard, 3rd edn (London: Heinemann, 1979).
Hedgepeth W, Playwright Tom Stoppard: Go'Home British Boy Genius! // Look. 1967. 26 Decem¬ber .
Hobson H. Edinburg Festival Theatre: Educating Edinburg. // Sunday Times. 1966. 4 September. P.24.
Hunter, J., Tom Stoppard's Plays (London: Faber, 1982). Whitaker, Т., Тот Stoppard (London: Macmillan, 1983).
Murlson J.K. Awake. // Floridian round pages of art. 1988. N3.
Zivanovic J. Gamus1 Actor as Tom Stoppard's Player: A Key to Interpretation Rozencrantz and Guildenstern Are Dead. // Paper read -at Central States Speech Association annual meet¬ing. (13-15 April). Chicago, 1979. State University. 1980.
The Cambridge Companion to Tom Stoppard. Edited by Kelly E. Katherin. Cambridge, 2001.
Статьи о Стоппарде:
"Something to Declar"', The Sunday Times, 25 February 1968, 25.
"Yes, We Have No Banan"', Guardian, 10 December 1971, 10.
"Playwrights and Professors", The Times Literary Supplement, 13 October 1972, 12-19.
"Dirty Linen in Prague", New York Times, 11 February 1977, 27.
"The Face at the Window", The Sunday Times, 27 February 1977, 33.
"But For The Middle Classes", The Times Literary Supplement, 3 June 1977,
"Prague: The Story of the Chartists", New York Review of Books, 4 August 1977,11-15.
"KGB's Olympic Trials", The Sunday Times, 6 April 1980, 16.
"Paradise and Purgatory", The Observer Magazine, 29 November 1981, 38-50.


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